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"Sure of course," says Mona. "Why, I used to ride the colts barebacked at home.",She nods her head gayly as she says this, being pleased at her apt quotation from the one book she has studied very closely.,Mona looks at him. How oddly he has expressed himself! "You won't," he said, instead of "you wouldn't." Does he then deem it possible she will ever be able to cross to that land that calls him son? She sighs, and, looking down at her little lean sinewy hands, clasps and unclasps them nervously.,Of all this Mona is unaware; though even were it otherwise I doubt if a lie could come trippingly to her lips, or a nice evasion be balanced there at a moment's notice. Such foul things as untruths are unknown to her, and have no refuge in her heart. It is indeed fortunate that on this occasion she knows no reason why her reply should differ from the truth, because in that case I think she would stand still, and stammer sadly, and grow uncomfortably red, and otherwise betray the fact that she would lie if she knew how.,"How could I help laughing," says Mona. "Mr. Darling has just expressed surprise at the fact that the Irish peasantry do not as a rule possess watches." Then suddenly her whole face changes from gayety to extreme sorrow. "Alas! poor souls!" she says, mournfully, "they don't, as a rule, have even meat!","An' the biggest birds, an' as full o' corn as iver ye see, the rogues!",At this point the house comes in view, and conversation languishes. The women give a small touch to their furs and laces, the men indulge in a final yawn that is to last them until the gates of Anadale close behind them again.,Unconsciously she has betrayed herself. He hears the word "again" with a strange sinking of the heart. Others, then, are desirous of claiming this wild flower for their own.,"May I not see Nicholas, if only for a moment?" she says, plaintively, gazing with entreaty at Geoffrey. At which Nicholas, hearing from within the voice that rings its changes on his heart from morn till eve, calls aloud to her,—,At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,"You ask me no questions about last night," he says, suddenly; "and there is something I must say to you. Get rid of that fellow Ridgway, the under-gardener. It was he opened the library window for me. He is untrustworthy, and too fond of filthy lucre ever to come to good. I bribed him.",Several nights had passed since the signs warned him to turn back, but notwithstanding the warnings, he had succeeded. Perhaps his success had made him too confident. He longed for more of it. "One more scalp I shall take," he said, "and then I will return to the people.".